Director Todd Haynes is receiving a bulk of praise after his film “Carol” debuted at Cannes earlier today to almost universal acclaim.
There are currently 3 recorded reviews on Rotten Tomatoes for “Carol” one gives the film an “A” while another gives the film 5/5 stars.
Outside of director Todd Haynes, Cate Blanchett and Rooney Mara have been receiving a good deal of accolades for their respective performances. Both are strong contenders for acting awards at the festival, but also strong early bird contenders for the Oscars.
Regarding the Oscars, there is still a gray area in whether Mara or Blanchett will be pushed in Lead or Supporting. It is likely that The Weinstein Company will separate them, though both may end up qualifying as lead performances. For now, in our own predictions, we will hold Blanchett (likely the new front-runner) in the lead actress category while placing Mara in the Supporting Actress category.
Our awards predictions will be updated shortly after the conclusion of the 2015 Cannes Film Festival.
SideNote: “Southpaw’s” Oscar credibility
SideNote: “Boyhood” vs.”Birdman” for the Oscar, DGA may decide.
“Boyhood” was supposed to win. In a nice, calm, predictable world “Boyhood,” having snatched the majority of Critic’s group precursor awards, would be the easy front-runner.
The alternate? The Weinstein’s have been fairing well in Guild nominations with “The Imitation Game,” so that could be your alternate. What about the strong box-office results of “American Sniper”? Hell, some people may have even ranked Wes Anderson’s likable “Grand Budapest Hotel” over “Birdman.”
But when it came time for the Producer’s Guild to decide what was best? It was “Birdman.” The last time the PGA winner didn’t line up with the Oscar best picture winner was in 2006 when “Little Miss Sunshine” took the title from Martin Scorsese’s “The Departed.”
SideNote: “The Imitation Game” vs. “Boyhood”
Last year it was “12 Years a Slave.” If not “12 Years a Slave,” it was “Gravity.” Both films had excellent responses from their respective festival showings which lead them to the top of everyone’s radar.
The things is, we knew and we knew this time in 2012 that “The Artist” was clear to take it. However it took the assistance of various guilds to give both 2013 winner “Argo” and 2011 winner “The King’s Speech” the edge over “Zero Dark Thirty” and “The Social Network.”
Looking at the list of contenders, both of these films can fit the bill.
Preview: The Potential of “Big Eyes”
“Big Eyes” is good, or so say the small group of people who have seen early test screenings of the film. The consensus doesn’t exactly rave about, nor does it shame the film – it is good they say. Keep in mind you can never fully grasp the quality of a film from such a small group of people, it helps but we will only know “Big Eyes” full potential once it has premiered to a larger audience, perhaps at a festival.
The movie is based on a true story. We follow Walter Keane (Christoph Waltz), a man who became a national celebrity after he pioneered the mass production of prints of big-eyed kid kids. He claimed to be the artist, but he wasn’t. His wife, Margaret Keane (Amy Adams) painted them from their basement. This broke up their marriage and let to a court battle, Walter claiming that his wife was crazy. It all ended when the judge put up two easels, side by side, and challenged each of them to paint a “big eyes” painting. Walter claimed he had a shoulder injury and couldn’t do it, while Margaret drew a big-eyed painting right there.
Last Updated: 03/21/14
This film came up while during the write-up for our Oscar Predictions. It is an end-of-the-year Weinstein film, but it looks a little….meh? The trailer gives us little to go off of, but hey, Meryl Streep and Jeff Bridges right?
Oscar: The 9 films that could win “Best Picture”
This list won’t just be the top 9 films on the Best Picture prediction page. It also won’t be the 9 I think will make it with nominations (though very possible). Many other films not on the list could be nominated, but won’t compete for the win, the same way “The Blind Side” or “District 9” didn’t compete in 2010 and how “Extremely Loud and Incredibly Close” didn’t compete in 2011.
At this point in the race we have seen all but four of the major contenders. We, as a film-going audience, haven’t seen them, but critics have, and we have been given a general consensus on the film.
So here are the top 9, possible Oscar Winners. I can guarantee one of these nine films will be our Oscar Best Picture winner.