This is Quentin Tarantino’s best film.
It is no contest. Pulp Fiction was wildly unique when it first premiered at Cannes in the 90s, and it remains wildly unique to this day. Many films have tried to replicate its structure and its aesthetic, but it always felt inauthentic when stacked against Pulp Fiction itself.
One of the biggest criticism of Tarantino’s trademark style is that he takes elements from earlier films, and that his “style,” while bombastic, shouldn’t be praised for being “unique.”
This post will actually be void of spoilers. I know, right.
I find myself in several pop-culture conversations daily. The most engaging debates usually involve 3 franchises: Marvel, Star Wars and more recently Game of Thrones.
The truth is, however, the quality of “Game of Thrones” this season has mostly adopted a consensus – great cinematic moments, bad writing/character development and a rushed pace.
I have been less vocal about the quality loss this season, however, because the most significant drop came one season prior. I’ve also been very vocal about show-runners Weiss/Benioff not being particularly skilled at their craft.
Last Update: 02/20/19
A Star is Born
What a year. So many great and diverse films. I’m still powering through many of them, but it is probably one of my favorite movie-years of this decade.
The Academy, however, will love some of the lesser films *cough* Bohemian Rhapsody *cough*, regardless many of the predictions seemed a little less complicated this year.
Without further ado, here they are:
Last Update: 01/14/19
A Star is Born
If Beale Street Could Talk
Netflix is a triple-A production company. They produce a wide array of content from Television series’ to feature films. Watching Netflix grow through the last decade has been fascinating.
As other giants throttle their bandwidth and lobby against the inevitable future of online streaming, they have persevered. For years they’ve developed award-winning TV shows including House of Cards, Orange is the New Black, The Crown, etc.
Their films have also excelled. Mudbound was an Oscar-nominated film and critically, Beasts of No Nation may be the best thing they’ve produced. Now we have Alfonso Cuaron’s Roma. (more…)
Those close to me know that I was a huge advocate for what MoviePass was doing.
Summer attendance was as low as it has been since the 90s last summer. After reading several articles behind the ‘$10 a month rationale’ it seemed like a move that was crazy enough to work – except it didn’t work.
So many potentially great films are set to premiere at the 75th annual Venice Film Festival. It was announced in February that Guillermo del Toro will be the jury president. His film “The Shape of Water” won Oscars for Best Picture and Best Director last year, but before that it was awarded the coveted Golden Lion by the festival’s jury.
Our future Best Picture winner may be among the list, lead by one of our most predicted films: “First Man” directed by Damien Chazelle (La La Land, Whiplash).
Other festivals openers include: Downsizing, Everest, Birdman, Gravity, The Reluctant Fundamentalist, The Ides of March, and Black Swan. So as you can see, “opening film” doesn’t mean much from an award-prognostication standpoint.
Anyway, here’s that list:
Beach Bum (Harmony Korine)
Destroyer (Karyn Kasuma)
Death and Life of John F. Donovan (Xavier Dolan)
Domino (Brian de Palma)
First Man (Damien Chazelle)
The Favourite (Yorgos Lanthimos)
High Life (Claire Denis)
Maya (Mia Hansen-Love)
The Nightingale (Jennifer Kent)
Non-Fiction (Olivier Assayas)
Norway (Paul Greengrass)
Old Man and the Gun (David Lowery)
Other Side of the Wind
Outlaw King (David Mackenzie)
Peterloo (Mike Leigh)
Radegund (Terrence Malick)
Roma (Alfonso Cuaron)
Share (Pippa Bianco)
Sisters Brothers (Jacques Audiard)
Star is Born (Bradley Cooper)
Wendy (Benh Zeitlin)
Widows (Steve McQueen)