Top 20 #Films of 2019

The Best of the 2010s

The As the days roll by I will be unveiling various “Top 10” lists for films in different categories. This is for any film released from 2010-2019.

The categories are below and we’ll update as we move forward. Follow me on Twitter @Matty_Durham for quick updates or, you know, to yell at me for being wrong.

Top 10 Horror Films
HM: Us, The Killing of a Sacred Deer
10. Annihilation (2018; Garland)
9. It Follows (2014; Mitchell)
8. Midsommar (2019; Aster)
7. Get Out (2017; Peele)
6. The Lighthouse (2019; Eggers)
5. V/H/S 2 (2012; Various)
4. Hereditary (2018; Aster)
3. Under the Skin (2013; Glazer)
2. The Babadook (2014; Kent)
1. The Witch (2015; Eggers)

Top 10 Animated Films
HM: Spider-Man: Into the SpiderVerse, Toy Story 4
10. When Marnie Was There (2014)
9. Isle of Dogs (2018)
8. Kubo and the Two Strings (2016)
7. How to Train Your Dragon (2010)
6. Anomalisa (2015)
5. The Tale of the Princess Kaguya (2013)
4. Inside Out (2015)
3. The Lego Movie (2014)
2. Toy Story 3 (2010)
1. The Red Turtle (2016)

Top 10 Cinematography
HM: Spring Breakers, Birdman, Gravity (1917 to be seen)
10. Life of Pi (2012; Claudio Miranda)
9. Her (2013; Hoyte Van Hoytema)
8. Moonlight (2016; James Laxton)
7. The Revenant (2015; Emmanuel Lubezki)
6. The Grand Budapest Hotel (2014; Robert D. Yeoman)
5. The Tree of Life (2011; Emmanuel Lubezki)
4. Ida (2013; Ryszard Lenczewski, Lukasz Zal)
3. Roma (2018; Alfonso Cuaron)
2. Enter the Void (2010, Benoit Debie)
1. Blade Runner 2049 (2017; Roger Deakins)

Top 10 Suspense/Thriller
HM: Take Shelter, The Lighthouse, Argo, Hell or High Water
10. The Town (2010; Affleck)
9. Searching (2018; Chaganty)
8. Wind River (2017; Sheridan)
7. Gone Girl (2014; Fincher)
6. Zero Dark Thirty (2012; Bigelow)
5. Sicario (2015; Villeneuve)
4. The Grey (2011; Carnahan)
3. Black Swan (2010; Aronofsky)
2. You Were Never Really Here (2017; Ramsay)
1. Parasite (2019; Joon-ho)

Top 10 Sci-Fi
HM: The Lobster, Edge of Tomorrow, Upstream Color
10. Annihilation (2018; Garland)
9. Midnight Special (2016; Nichols)
8. Cloud Atlas (2012; Tykwer, Wachowski, Wachowski)
7. Under the Skin (2013; Glazer)
6. Dawn of the Planet of the Apes (2014; Reeves)
5. Interstellar (2014; Nolan)
4. The Cabin in the Woods (2011; Goddard)
3. Arrival (2016; Villeneuve)
2. Melancholia (2011; von Trier)
1. Blade Runner 2049 (2017; Villeneuve)

Top 10 Fantasy
HM: Moana, Star Wars: Rise of Skywalker
10. Kubo and the Two Strings (2016; Knight)
9. How to Train Your Dragon (2010; DeBlois, Sanders)
8. Rogue One (2016; Edwards)
7. A Ghost Story (2017; Lowery)
6. The Red Turtle (2016; Dudok de Wit)
5. Beasts of the Southern Wild (2012; Zeitlin)
4. Life of Pi (2012; Lee)
3. Midnight in Paris (2011; Allen)
2. Harry Potter and the Deathly Hallows 1/2 (2010/2011; Yates)
1. Mad Max: Fury Road (2015; Miller)

Top 10 Action/Blockbusters
HM: Joker, Hugo
10. Star Wars: The Force Awakens (2015; Abrams)
9. Rogue One (2016; Edwards)
8. Spider-Man: Into the SpiderVerse (2018; Various)
7. The Grey (2011; Carnahan)
6. Kick-Ass (2010; Vaughn)
5. The Apes Trilogy (2011-2017; Wyatt, Reeves)
4. Scott Pilgrim vs. The World (2010; Wright)
3. Mad Max: Fury Road (2015; Miller)
2. Edge of Tomorrow (2014; Liman)
1. Inception (2010; Nolan)

Top 10 Film Scores
HM: Annihilation, Birdman, The Theory of Everything
10. Under the Skin (2013; Levi)
9. How to Train Your Dragon (2010; Powell)
8. Life of Pi (2012; Danna)
7. The Red Turtle (2016; Del Mar)
6. Sicario (2015; Johannsson)
5. If Beale Street Could Talk (2018; Britell)
4. Carol (2015; Burwell)
3. Beasts of the Southern Wild (2012; Romer, Zeitlin)
2. Inception, Interstellar, Dunkirk (2010, 2014, 2017; Zimmer)
1. The Social Network (2010; Reznor, Ross)

Top 10 Coming of Age
10. Honey Boy (2019; Har’el)
9. The Edge of Seventeen (2016;Craig)
8. Hunt for the Wilderpeople (2016; Waititi)
7. Terri (2011; Jacobs)
6. Eighth Grade (2018; Burnham)
5. Boyhood (2014; Linklater)
4. Lady Bird (2017; Gerwig)
3. Mid ’90s (2018; Hill)
2. Everybody Wants Some!! (2016; Linklater)
1. Moonlight (2016; Jenkins)

Top 10 Comedies
10. The Cabin in the Woods (2011; Goddard)
9. Safety Not Guaranteed (2012; Trevorrow)
8. Easy A (2010; Gluck)
7. Midnight in Paris (2011; Allen)
6. What We Do in the Shadows (2014; Clement, Waititi)
5. The Lego Movie (2014; Lord, Miller)
4. The World’s End (2013; Wright)
3. Everybody Wants Some!! (2016; Linklater)
2. The Death of Stalin (2017; Iannucci)
1. This is the End (2013; Goldberg, Rogen)

Top 10 Contemporary History
HM: The Fighter, Spotlight, Lion
10. I, Tonya (2017; Gillespie)
9. Pain & Gain (2013; Bay)
8. I Love You Phillip Morris (2010; Ficarra, Requa)
7. Moneyball (2011; Miller)
6. Bernie (2011; Linklater)
5. Foxcatcher (2014; Miller)
4. The Big Short (2015; McKay)
3. Zero Dark Thirty (2012; Bigelow)
2. The Wolf of Wall Street (2013; Scorsese)
1. The Social Network (2010; Fincher)

Top 10 Editing
HM: Waves, Uncut Gems, Scott Pilgrim vs. The World
10. Dunkirk (2017; Smith)
9. Bodied (2018; Haynes)
8. Moonlight (2016; McMillon, Sanders)
7. Black Swan (2010; Weisblum)
6. Mad Max: Fury Road (2015; Sixel)
5. Jallikattu (2019; Joseph)
4. The Big Short (2015; Corwin)
3. Whiplash (2014; Cross)
2. The Social Network (2010; Baxter, Wall)
1. The Wolf of Wall Street (2013; Schoonmaker)

Top 10 Ensembles
HM: Knives Out, The Favourite, Inception
10. American Hustle (2013; Russell)
9. 3 Billboards Outside Ebbing, Missouri (2017; McDonagh)
8. 12 Years a Slave (2013; McQueen)
7. If Beale Street Could Talk (2018; Jenkins)
6. The Wolf of Wall Street (2013; Scorsese)
5. Once Upon a Time in Hollywood (2019; Tarantino)
4. Les Miserables (2012; Hooper)
3. The Irishman (2019; Scorsese)
2. The Master (2012; PT. Anderson)
1. Moonrise Kingdom/The Grand Budapest Hotel (2012/2014; W. Anderson)

Top 10 Remakes/Reboots/Sequels
HM: Jackass 3D, Rogue One, V/H/S 2, Frankenweenie
10. The Lego Batman Movie (2017; McKay)
9. A Star is Born (2018; Cooper)
8. Harry Potter and the Deathly Hallows 1/2 (2010, 2011; Yates)
7. Spider-Man: Into the SpiderVerse (2018; Various)
6. The Muppets (2011; Bobin)
5. True Grit (2010; Coen, Coen)
4. Dawn of the Planet of the Apes (2014; Reeves)
3. Mad Max: Fury Road (2015; Miller)
2. Toy Story 3/4 (2010, 2019; Unkrich, Cooley)
1. Blade Runner 2049 (2017; Villeneuve)

Top 10 Romance
HM: Marriage Story, Ride Your Wave, Me & Earl & the Dying Girl
10. Greenberg (2010; Baumbach)
9. A Star is Born (2018; Cooper)
8. Like Crazy (2011; Doremus)
7. Amour (2012; Haneke)
6. Anomalisa (2015; Johnson, Kaufman)
5. Carol (2015; Haynes)
4. Moonrise Kingdom (2012; Anderson)
3. If Beale Street Could Talk (2018; Jenkins)
2. La La Land (2016; Chazelle)
1. Call Me by Your Name (2017; Guadagnino)

Top 10 Drama
HM: Beasts of No Nation, Mustang, The Revenant
10. 99 Homes (2014; Bahrani)
9. Beasts of the Southern Wild (2012; Zeitlin)
8. A Ghost Story (2017; Lowery)
7. Room (2015; Abrahamson)
6. The Place Beyond the Pines (2012; Cianfrance)
5. The Florida Project (2017; Baker)
4. Silence (2016; Scorsese)
3. Roma (2018; Cuaron)
2. Moonlight (2016; Jenkins)
1. The Social Network (2010; Fincher)

Top 10 Romantic Comedies
10. Frances Ha (2012; Baumbach)
9. Silver Linings Playbook (2012; Russell)
8. Easy A (2010; Gluck)
7. I Love You Phillip Morris (2010; Ficarra, Requa)
6. The Lobster (2015; Lanthimos)
5. Seeking a Friend at the End of the World (2012; Scafaria)
4. Her (2013; Jonze)
3. Lady Bird (2017; Gerwig)
2. Midnight in Paris (2011; Allen)
1. Moonrise Kingdom (2012; Anderson)

Matt Mentions: The Current State of Cinema

It’s less.

And by less I mean quantity not quality. Quality films are still consistently being created by some of the medium’s greatest auteurs. The quantity is down though. Quantity of great films, quantity is low for the budget of great films, and attendance is low.

We have our “event” films or as Scorsese and Coppola like to call them “theme park rides” and that’s fine. These films push the limitations of technical achievement for a unique experience that utilizes the bombastic capabilities of modern sound and modern screen. They make bank. Film has never been more profitable simply because of these movies.

In the early 2000s/late 90s studios created branches of their companies that sought out independent film. They’d finance obscure projects by filmmakers with credibility, but mostly they bought films at festivals and produced them. Often they’d hype up their quality (reviews, awards campaigns, etc.)

That’s still happening and independent films are cinema. Spotlight, Boyhood, Birdman, Parasite, The Lighthouse so many unique films that utilize ambitious storytelling techniques come out every year. One of the biggest ones of this year will undoubtedly be The Irishman.

Is cinema dying?


Matt Mentions: The Consequences of #BoJackHorseman

Nothing juxtaposes chaotic slapstick with crippling depression like BoJack Horseman. The animated series from Netflix has aged like fine wine – each season feeling more compact, more mature, more strained while still digging to deeper lows and climbing to higher highs. Basically, it gets funnier and funnier and sadder and sadder.


The first 8 episodes of season 6 were a trip though. Maintaining the chaotic nature of Hollywoo these episodes deliver gags at the highest caliber. We begin observing the growth of each character.

BoJack as he grows from rehab, Diane as she finds her passion, Mr. Peanutbutter while he addresses an unfamiliar guilt, and Princess Carolyn as she learns to become a mother, and Todd as he finds a job and searches for his asexual partner.


Matt Mentions: The emotionally and physically demanding performances of Robert Pattinson and Willem Dafoe in #TheLighthouse

To all my friends and family who have dealt with me stanning for Robert Egger’s The Lighthouse this past month… well… you’re going to have to deal with it a bit longer.

When I’m asked about my thoughts I immediately skew my attention right past the technical excellence (SD, 35mm, b&w looks amazing!), and right toward the incredible performances of Robert Pattinson and Willem Dafoe.

The superlatives I often use mirror that of my tweet when I saw it at #FantasticFest last month: physically and emotionally demanding.


Top 10 of #FantasticFest 2019

What a trip. There’s a certain familial feeling to this festival. It was great talking movies (using extreme geek language) to other writers, filmmakers etc.

Discussing in depth what and why these films made us feel the way they did. It was amazing. Here’s my Top 10 of the festival:

  1. Parasite
  2. Jallikattu
  3. The Lighthouse
  4. The True Adventures of Wolfboy
  5. Ride Your Wave
  6. Dogs Don’t Wear Pants
  7. Color Out of Space
  8. Nail in the Coffin: The Fall and Rise of Vampiro
  9. Dolemite is My Name
  10. Fractured

Honorable Mentions
In the Shadow of the Moon
The Lodge
Jojo Rabbit
The Death of Dick Long

#FantasticFest Day 7 Reactions – #Parasite and Nail in the Coffin: The Fall and Rise of Vampiro

Nail in the Coffin: The Fall and Rise of Vampiro (★★★)

What a well-directed documentary. It’s focused and objective with Vampiro and its other characters. Great camerawork throughout and they chose the right times to have people mic’d up. A big part of a character-documentary is gathering the archive photos, videos, the talking heads. But where many docs fail is the storytelling in post-production. What could’ve been an artificial character doc is something that has enough humanity and self-destruction to make you weep. What a film.

Parasite (★★★★)

Yes! I haven’t given a film four stars in so long, but Parasite absolutely deserves it and more. The commentary on class in South Korea is prevalent, a lot of us are aware of the struggles of ordinary people, but here it is illustrated and juxtaposed in an almost Hitchcock-ian way. It makes you question the very functionality of our world, our societies. All while being wildy entertaining and shocking in the process. I’ll have this film stuck in my head for sometime.

#FantasticFest Day 7 Reactions – #DogsDontWearPants, Wyrm, The True Adventures of Wolfboy, and Knives & Skin

Dogs Don’t Wear Pants (★★★1/2)

There’s a reason this film won the festival. The encore screening was shown in 3 jam-packed theaters based on word-of-mouth. It’s more than what it looks like – a foreign dominatrix movie. It’s a love story that tackles themes of grief, intimacy, and sexuality. A barometer in how I measure a film’s worth has always been on its ability to show me a new perspective on something – this film did just that.

Wyrm (★★1/2)

“Wyrm” was on the path to being one of my favorite films of the festival. It’s hysterical, and I laughed harder in this film than any other film I saw at Fantastic Fest. The concept is so unique and creativity, but it lost me after the midpoint. It’s a dramedy, so it has the grueling task of balancing those two genres. It shifts to full drama in the third act and there’s a significant imbalance that hinders the film. It’s so charming and the characters are so likable, that it almost gets away with it.

The True Adventures of Wolfboy (★★★1/2)

What an adventure. Instead of taking the “we’re all equal” route to external differences the film goes with “we are all unique” and celebrates these differences through a comic framework. It’s beautifully done with massive set-pieces. For something that feels so fantastical, it remains grounded in harsh realties. I fucking loved it. It gave me goosebumps and it’s the closest I’ve got to crying in a film since I was a child.

Knives & Skin (★)

A lot of people left this moving comparing it to “Twin Peaks.” I haven’t seen “Twin Peaks” so I’m not sure how the homage holds up. It’s not what you’d think. It’s poorly shot and edited, but on purpose? There are so many “so bad, it’s good” moments that had me laughing, but in between those moments I was just bored and agitated by the aggressive use of dissolves.

#FantasticFest Day 6 Reactions – #TheWave and Memory: Origins of Alien

Memory: Origins of Alien (★★1/2)

A must-see documentary for any aspiring film fans. Much like the “Phil Tippet” documentary these films bring me back to a time, before my time really, when creatures and worlds were created, before the digital movement. I’ve always had a theory that the creatures we creatively imagine actually exist in other dimensions – they are hints, clues for what else is out there. The only thing that held me back from loving “Memory” was that I had studied these origins in film school years ago. If it were my first time hearing about where these ideas came from; I’d be floored.

The Wave (★★)

Extra points for ambition. “The Wave” is an original story that utilizes some gorgeous imagery. Justin Long acts his heart out – and he’s good! I was entertained throughout the short duration, but was left feeling empty after the fact. It’s an intriguing story with intriguing ideas that I wished explored those ideas with more depth.

#FantasticFest Day 5 Reactions – #TheLighthouse, Jallikatu, Vivarium, and In the Shadow of the Moon

The Lighthouse (★★★1/2)

What a wild ride. “The Lighthouse” is a film that basically locks us into a contained space with two individuals falling into insanity. Pattinson and Dafoe’s performances are both mentally and physically demanding and the fallout at times is tough to watch. The film is eerie and shot beautifully on 35mm film. Every frame is gorgeous, the sound work and music are eerie. It’s an atmosphere film that I won’t forget anytime soon.

Jallikatu (★★★1/2)

What a technical achievement! Long sweeping camera motions. Long takes. Short takes. Precision editing and sound work. Jallikatu is a colossal achievement that brings hundreds of local extras into the fray. Everything feels natural from dialogue to lighting. The choreography of the entire film is some of the best I’ve seen.

Vivarium (1/2)

“Vivarium” is entertaining with its high-key concept, but it’s just… not well made. The direction the film is heading is figured out early on. Eisenberg and Poots give it everything they got – and it’s entertaining to seem them spiral into insanity, but the mystery of their habitat is squandered and rushed to the finish.

In the Shadow of the Moon (★★★)

Like “Fractured” this film is another solid thriller/mystery from Netflix. It’s brilliant how the pieces fall together one scene at a time. It introduces some complex ideas and uses its science fiction elements sparingly. I love this trick because what we don’t see is left up to our imagination – and it’s bigger and more complex than the filmmakers would have bothered with. Boyd Holbrook puts everything into this performance – easily the best I’ve seen him. Like the days of “Frequency” the mystery-thriller is back and I love it.